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During the Great Depression, a common-man hero, James J. Braddock—a.k.a. the Cinderella Man—was to become one of the most surprising sports legends in history. By the early 1930s, the impoverished ex-prizefighter was seemingly as broken-down, beaten-up and out-of-luck as much of the rest of the American populace who had hit rock bottom. His career appeared to be finished, he was unable to pay the bills, the only thing that mattered to him—his family—was in danger, and he was even forced to go on Public Relief. But deep inside, Jim Braddock never relinquished his determination. Driven by love, honor and an incredible dose of grit, he willed an impossible dream to come true. In a last-chance bid to help his family, Braddock returned to the ring. No one thought he had a shot. However Braddock, fueled by something beyond mere competition, kept winning. Suddenly, the ordinary working man became the mythic athlete. Carrying the hopes and dreams of the disenfranchised on his shoulders, Braddock rocketed through the ranks, until this underdog chose to do the unthinkable: take on the heavyweight champ of the world, the unstoppable Max Baer, renowned for having killed two men in the ring.

Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie is exactly the length of a DV Tape and a sub-plot is established by showing bits and pieces of video previously recorded on the tape that is being recorded over. The movie starts as a monster of unknown origin destroys a building. As they go to investigate, parts of the building and the head of the Statue of Liberty come raining down. The movie follows their adventure trying to escape and save a friend, a love interest of the main character.

In an animated fairy tale world, a young girl meets and falls in love with the handsome prince of her dreams. News of this romance upsets the prince’s mother, the evil queen, who uses her black magic to send the girl hurtling out of the animated world into the one place in the universe where there is no true love: modern day Manhattan. The now-real girl has to survive in New York City and find her way home again to her true love.

On 1st November 1959, in New York, C.C. “Bud” Baxter is a popular clerk of “Consolidate Life”, an insurance company with 31,259 employees. The secret of his success is a well located apartment where he lives that he sublets for his superiors, making him climb to the executive position of 2nd Administrative Assistant very early. He likes the elevator girl Fran Kubelik, a reserved woman considered a “jackpot” among the executives. Fran is the secret lover of the director Jeff D. Sheldrake, a married man that seduced her convincing that he will divorce his wife to stay with her. When Fran tries to commit suicide in Baxter’s apartment after a meeting with Jeff, she stays with Baxter while recovering, and he falls in love for her. Later he has to come up to a decision between his excellent position in the company and his love.

A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality…

When John Eastland’s best friend, Michael Jefferson, is mugged and left permanently crippled, he decides to do something about it. Jefferson had saved Eastland’s life in Vietnam and now it’s time for Eastland to get revenge for his friend. Using his old Army gear he sets out on a crusade to clean up the streets of New York using the name “The Exterminator.”

Imogen and Al meet at college in New York City when she’s a frosh and he’s a sophomore. She’s a talented artist; he wants to be a chef, following in his father’s footsteps. They fall in love, she picks a song for them, they make love. But she fears losing her youth, committing too soon, having a child before she’s ready. He’s worried that this may be an illusion, not true love. She sleeps with someone else; he’s hurt; the relationship ruptures. She leaves for San Francisco; he goes into an alcohol-assisted depression. He even drinks her shampoo, hoping to cure his obsession. Can anything help him recover?

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who’s 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He’s charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It’s no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she’s working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d’oeuvre, or a peanut-butter sandwich?

Molly Gunn (Murphy), the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray (Fanning), the oft ignored daughter of a music executive (Locklear) she learns what it means to be an adult while teaching Ray how to be a child.

Two foster brothers (Woody Harrelson and Wesley Snipes) work as transit cops. While one’s life is as good as it gets, the other’s is a pit. After losing his job, getting dumped by his brother, and getting the crap kicked out of him by a loan shark for the umpteenth time, He implements his plan to steal the “money train,” a train carrying the New York Subway’s weekly revenue. But when things go awry, will his brother be able to save him in time?